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AS220, which stands for Artist Space 220, is a non-profit organization located in Providence, Rhode Island. Its mission is to provide a non-juried space for artists of all types to make and show art. AS220 has grown into a performance space for music and performance art, a gallery, a restaurant, artist live/work space, and a series of makerspaces known as AS220 Industries. The maker spaces range from screen printing and textile related arts, photography and webcasting, to electronics and technology like 3D printing, laser cutting, and CNC milling. AS220 drives the local creative culture by teaching classes in all of the many disciplines housed within its growing domain. Founded in 1986 by Umberto Crenca, AS220 has become a respected institution Providence, and a model for non-profit artist spaces worldwide.
I have been going to AS220 since 1990. When I first went it AS220 it was operating out of a small single room space upstairs from a place called ‘Club Babyhead.’ Babyhead was a great place to see shows if you were into any kind of underground music. Both of these spaces were in a, still to this day, seedy area of downtown Providence. I’ll never forget the first time I went. AS220 was on the second floor, up a long wooden stairway that was completely covered in band stickers, flyers for shows, flyers for art happenings, ads for new age bookstores and used record shops, and invitations to Buddhist and Krishna meditation groups. In the early 90’s counterculture was still very much underground and had not broken through to mainstream culture yet. Kurt Cobain and all the Seattle bands were still unknown. Art and creativity were still largely misunderstood and undervalued by a lot of America. After climbing the stairs to what felt like a punk rock shrine to the counter culture and free thought I entered the dimly lit room. There was a tiny kitchen, little more than a household stove and sink, which would sometimes make Indian inspired dishes and other vegetarian food. There was a small station by the door where a guy or girl would collect the cover charge. They never checked ID as they didn’t sell alcohol, they were after all ‘All Ages, All The Time.’ A mantra they still live by to this day.
The first event I went to was a bizarre spectacle to witness. It was a performance art piece, which I only found out recently, by AS220 founder Umberto Crenca and some of his friends. The piece was basically three naked men playing ‘Jacks’ on the floor. I think the intention was to make a statement about childhood. I never really read into the meaning, but was fascinated by the boldness of it all. Honestly, I’m surprised they weren’t arrested. We were, after all, just kids. But what society might have deemed dangerous or damaging I always felt was mind altering and thought provoking. It really lead me to believe in art and all the impossible. This was right around the time I really started to get into music and it was a natural fit. I went to a lot of shows at AS220 and Club Babyhead over the next couple years. I saw a lot bands like Mudhoney, the Mighty Mighty Bosstones, Soul Coughing, and Republica in those two rooms. I banged on the cymbals of the drum set while the horns of the Bosstones wailed and I was fed cheese, there was a backstage cheese platter for the band, by Mark Arm of Mudhoney. The music was edgy and loud, the rooms were dark and smoky, and there were lots of cool girls. We always had a blast. Club Babyhead ceased to exist long ago, but AS220 has grown into a small empire occupying multiple buildings of prime downtown real estate, which are spread out over several city blocks.
When I first enter the small alley way that brings you to the rear entrance of AS220 Industries I walk by the back patio of a couple of the neighboring businesses – one is a gay bar and the other a Mexican restaurant. The alley is clad in brick and defined by a beautiful black wrought iron rail and fence to your right. Past the iron rail there is a fairly large parking lot before the next building which proudly wears an enormous wall mural created by AS220 artists. The mural changes from time to time and is generally of a person, or a type of person, that the artists want to raise awareness of in society. Most recently it was a black and white of a youngish mother nursing a baby, her expression was troubled and unsure. You could feel her inner tension as her lips looked as if they were caught in the middle of a quiver, as in the moment just before her tears were about to well in her eyes before crying.
The entrance is fairly low key and decorated with various creations that were made inside. Silk screened artwork and flyers, printed circuit boards, laser cut three dimensional animals made of corrugated cardboard, and a slew of 3D printed objects all line the windows and sills. This place is a temple devoted to creativity and thought. All of these objects were the product of someone’s heart and mind. They adorn the walls and windows like stained glass Bible scenes in Church; all telling the history of the place and the people, each a story of its own. Many of the spaces at AS220 directly connect to each other through doorways that only close late in the evening. Some rooms are pretty large and house multiple functions at once like the electronics, 3D printing, vinyl cutting, and work table space. Often there are people working together, or separately, on various tasks, in what is basically a common area. Many of the artists know each other as we all tend to cross paths a lot. This makes the ability to bounce ideas or get advice from others really easy. It’s really great to be surrounded by people who you know will likely have a valid opinion and credible idea that is rooted in passion and experience, even if different than your own.
Once I enter the building, the first person I usually see is an older man named Ronnie. He’s usually straight through the door and to the right in this “alcove” type space. It’s an open room that has no door that connects directly to the back alley entrance. Ronnie uses many of the tools available there but spends most of his time on the CNC routing equipment. The CNC is large cutting table that takes up a four foot by 8 foot space. It allows its user to carve intricate detail into things or shape things like wood, plastic, and soft metals by cutting the material with a variety of rotating cutters. You can create an intricately carved wood door, a sign for a business, or build a electric guitar with this tool. If I had to guess I’d say Ronnie is somewhere around 70 years old. He’s around five foot six, smaller framed, and somehow always reminds of a railroad engineer based on his clothing. Ronnie seems to always be at Industries no matter what time I arrive. I often joke with him about the “cot in the back” he must have. Ronnie’s creativity and knowledge are awesome. He really is like a guru to a lot of people there. He seems to know something about everything and has created an amazing variety of art and objects. He knows more creative software than most people I know and is a fluent C language programmer. Most of the time he is using the CNC router for various projects people contract him to do or is using the laser cutter. He has a small business creating geo-domes for gardeners outside of AS220. If ever I have a problem with the equipment I may be using, need some creative advice for a project of my own, or just want to talk about anything like art, politics, or the weather than I go to Ronnie.
When I’ve finished my conversation with Ronnie I round the corner from the CNC router to get to the stairs that take me up to the area where the laser cutter is located. The walls of the stairway are lined with polaroid photos of past and present members of the Printshop, the Media Labs, the Photography Studio, and Industries, all with their names handwritten in black sharpie by the member. Some people are happily smiling, some are making a joking face, and some are somber and reserved. The variety of people is like a cross section of society – all races and ethnicities, men and women, all strongly represented within the building. Having your photo up there is a badge of honor that says you are a respected member of the creative community. Some of these photos are really old and are of founding members of the particular craft’s “lab” while others are clearly brand new. I personally do not have a photo up yet. After doing my time as a “monitor” member, which is there to help other new members with equipment and the general goings on of AS220, I became a “key member.” This basically means I have a key to the building and can enter 24 hours a day without supervision. This has been really helpful to my craft as I can come in and do work in the middle of the night at times that are usually a bit quitter and therefore distraction free.
The next person I encounter is Dave. Dave is a printshop wizard. I believe he has a graphic design degree from Rhode Island School of Design and spends a lot of time at AS220. Sometimes when I’m waiting for the laser to run a lengthy job I’ll wander over to the printshop to hang out with Dave. He’s mid to late thirties, slightly tall, dark haired and has piercing blue eyes. He’s a genuinely nice guy and easy to talk to. I remember being struck by how friendly and down to earth he is when I first met him. Women, and some men, seem to trip over themselves for Dave. He’s a good looking guy and really approachable. The printshop is only a few feet away from the laser cutting area but it feels miles away. When you enter you’re struck by the smell of ink and solvents used in the printing process. There are flyers and artwork all over the walls and your eyes are assaulted by a barrage of color and fonts. Everything from art images to edgy commercial stuff to cool band flyers. I have never screen printed before, but the people and creative energy over there are alluring. At some point I’ll take the class and jump on board.
Another person I frequently spend some spare time with from the printshop is Samantha. Samantha is a mid to late 20’s millennial type. Her appearance is on the edgy side – one part Sid Vicious, one part Cyndi Lauper, one part modern Hipster. She’s got a few tattoos and rocks a white t-shirt with a skull and crossed bones on it. Her auburn hair is straight and doesn’t quite reach her shoulders. When she’s not printing at AS220 she works as an art teacher at another creative hub around time and at night waitresses at a farm to table restaurant. She’s such a devoted artist, full of creative energy, and overall a non-conformist type. She has a mouth like a drunk sailor in Singapore. I often wonder what she’s like at work. The restaurant is somewhat upscale and I would imagine she has to “tone it down” a bit while working. This duality of lives probably makes her feel like two people – Sam the free spirited artist and Sam the hardworking polite waitress.
Before I get to laser I pass by the electronics area. This area is for people to create small electronic items or to work with things like Arduino. The Arduino is small computer that people can program to do a wide variety of things like control your home sprinkler system, pilot a small drone aircraft, or whatever you can dream up. I walked by an ongoing class that worked with the Arduino. The class was being hosted by an Artist in Residence from California, for people to learn how to create a small device that would turn off and temporarily disable all the televisions around the user. This device was not very appreciated at the airport but the artist felt the need to make a political statement about the ever increasing bombardment we face by television screens in society. The artist was around 50 years old, soft spoken, slightly balding, and based on his appearance looked like a guy that probably had spent a lot of years in a big tech company.
The last person I see is Ivan. Ivan is just leaving the laser cutter as I’m entering. He’s around 40 and always dressed like a lumberjack, blue jeans and flannel shirt over some dirty work boots. He is really creative and always has a few pieces of work with him. He, like me, is a student and father. He reminds me of a young Ronnie – really smart and well rounded. Similar good looks as Dave, but far less approachable. He’ll talk to anyone but has a really dry sense of humor. You either get him or you don’t. He either likes you or he doesn’t. I can’t help but feel he’s looking at my work kind of critically, like he’s dissecting it into a million little pieces, wondering why I selected the wood in my work, or why I shaped it as I have. The guy’s eyes are like little green microscopes hard wired to microprocessors, built for inspection and mathematical analysis. When I can get a conversation going with him he usually has a perspective that I didn’t see coming and a different approach to what I’m doing. Overall he’s a bit of a mystery; clearly there’s a lot going on inside his head but he doesn’t seem to let a lot of people into his inner space.
After I’ve completed my work I gather my things and shut down the computer and laser system I came to use I can’t help but think about how interesting the experience at AS220 is. I’m grateful to know these people and have this resource at my disposal. I also think about how the community thrives on itself as the membership trade knowledge and perspectives. Through this exchange the skills of the artists are inspired and augmented to do more, to push the limits of their craft, and take chances that they may not have on their own. Artist communities are built around the simple need to express something deep within one’s soul and to see the abstract and formless become tangible.
Sometimes after I finish my work I’ll head down the street to the performance space to get a beer and something to eat, which for me might be a new craft beer or my favorite hard cider, and a vegan or vegetarian dish. I’m not a vegan but I love vegetarian food. Often when I’m there I’ll run into someone from Industries and we’ll hang out and chat about art, politics, or the band playing in the adjacent space. It’s really great to be part of a community of likeminded people who aren’t just consumers of products, but producers. In an age that really needs creative solutions to so many problems, AS220 shines as a source for creative thinking today, just as it did when I saw punk rock and naked jacks on the floor. I can honestly say if it wasn’t for this place and community, the ‘maker’ part of my mind might never have developed beyond a glimmer of thought into the over one thousand tangible items that I have crafted by hand.